BIRDEATSBABY

BIRDEATSBABY

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New Album ‘Present Company’ out today…

Hello birds,

The time has come. The Mishkin Fitzgerald solo record is out… NOW.


‘Present Company’ is out now digitally on Itunes, Bandcamp or available to buy as a CD at the Birdeatsbaby webstore.

If you are still thinking about coming to the launch party in Brighton tonight, there are still just a few tickets left… but they will not last! Get them here. Support is from She Makes War, Emberhoney & Samantha Horwill. It WILL be made of epicness.

I worked very hard on this record, and literally poured my heart and soul into it. But, I must say it would not have been possible withoutmy producer, collaborator, fellow musicianand friend Forbes Coleman. A HUGE thanks goes to him for helping create this.

Thank you also to everyone else who has helped with it’s creation (that includes YOU), I feel very lucky to know such amazing people. I hope you enjoy the album as much as I enjoyed making it :)

Right, enough talk, where’s my dress? And a bottle of champagne? Now I’m ready for the launch party… see you there!!!

Love & Feathers,

Mishkin x

PRESS:
a diverse and accomplished album”
Christopher Nosnibor, Whisperinandhollerin

“a hauntingly sparse and elegant album that deserves attention for its careful craft and fearlessness
Coralie Oddy, Skief Promotions

Mishkin has truly created and delivered an absolute Masterpiece”
Amanda Massoud, Festival Photo

“Sophisticated with an ominous, mournful spirit, Fitzgerald’s pours her heart and soul into this impressive LP”
Dominic Valvona, Monolith Cocktail/God is in the TV

Filed under mishkin fitzgerald bird eats baby birdeatsbaby newalbum album skulls brighton

7 notes

10 Plays
Birdeatsbaby
The Trouble....

You come inside like a victory bride but you’re all dressed in crimson and blacked out your eyes and so exaggerated so much that you rip at the seams and I tear out the dice on your lips

(Source: decathectmun)

8 notes

watchwithyourears:

Birdeatsbaby - Feast Of Hammers
Release Date: February 20, 2012
Record Label: Dead Round Eyes Records
Producers: Jason Rubal, Birdeatsbaby
Birdeatsbaby is an unusual four-piece alt-classic prog-rock and mostly dark cabaret band that came from Brighton, UK during November of 2008. They have fast-paced and complex drums, piano, bass and violin with big, catchy choruses. And, trust me with the word “unusual” because not only did I take that from their description (mixed around the words a bit, but tried to stay as close to their description as possible), but this band is not for your “average” listener. You have to be just as unique as a person, as their songs are, to honestly LOVE this stuff.
Feast Of Hammers is their second full-length album (with previous EPs and singles released). Looking around, I couldn’t really find much else about the album, so if you do decide to listen after you read this, and I hope you do, leave it to full interpretation.
My favorite song was a close tie, but (and it will surprise you!) Incitatus was my favorite. The reason why it will surprise you, was because it was repetitive, which, everyone knows, I’m not a big fan of. However, there was so much more to this song that I can totally over look a couple extra choruses in there. I honestly don’t want to give away too much of this band, because I want you to feel like you stepped into new territory and you fully don’t mind. All I will say is that the way it was made, the way it came out was mind blowing.
My least favorite would be Feast Of Hammers. As with a lot of my not-so-favorite songs on albums, it just felt kind of out of place. I haven’t been listening to BEB for a long time, but the feel I get from them, the way it played, it didn’t feel 110%.
This album as a whole was like stepping into a story. They placed a feeling in their lyrics and matched the mood with the music. It is, if you don’t listen to “that” kind of music, a very dirty, rough and dark path that you actually enjoy taking. It’s something that I can’t really put into words, and it’s something that you have to experience for yourself.
Without any doubt, this album is getting a 5/5. It’s different, unique and there’s a bunch of songs, if not full songs, a lot of bits of lyrics that are super personal to me. Something I’d give to my ex and say “fuck you” to. Double Nine being one of those songs. The other thing that I based my score off of, is that everything is heard equally. Nothing was muddied. You heard the bass. You hear the violins. You hear the piano. You hear the drums. And that’s really important, to be able to hear all the different parts to the band.
♦♦♦♦♦
The only artist that I can say that they are similar to off the top of my head is Emilie Autumn (if they did a tour together, near me, I think I’d sell my soul to see this. No joke!). Anchor was a song that really had a Fight Like A Girl (a song off that album) to it. But the vocals and the way that she sings with the music and… I can’t explain it, like I said before. You need to experience this stuff for yourself. So, without further ado… please check out these links. Follow, listen, like, support… everything, PLEASE!!!
Official: www.birdeatsbaby.co.uk
Facebook: www.facebook.com/birdeatsbaby
Twitter: www.twitter.com/birdeatsbaby
www.twitter.com/mishkinbird
www.twitter.com/keelymcdbeb
www.twitter.com/garrybeb
www.twitter.com/DrumKat_BEB 
Bandcamp: www.birdeatsbaby.bandcamp.com

watchwithyourears:

Birdeatsbaby - Feast Of Hammers

Release Date: February 20, 2012

Record Label: Dead Round Eyes Records

Producers: Jason Rubal, Birdeatsbaby

Birdeatsbaby is an unusual four-piece alt-classic prog-rock and mostly dark cabaret band that came from Brighton, UK during November of 2008. They have fast-paced and complex drums, piano, bass and violin with big, catchy choruses. And, trust me with the word “unusual” because not only did I take that from their description (mixed around the words a bit, but tried to stay as close to their description as possible), but this band is not for your “average” listener. You have to be just as unique as a person, as their songs are, to honestly LOVE this stuff.

Feast Of Hammers is their second full-length album (with previous EPs and singles released). Looking around, I couldn’t really find much else about the album, so if you do decide to listen after you read this, and I hope you do, leave it to full interpretation.

My favorite song was a close tie, but (and it will surprise you!) Incitatus was my favorite. The reason why it will surprise you, was because it was repetitive, which, everyone knows, I’m not a big fan of. However, there was so much more to this song that I can totally over look a couple extra choruses in there. I honestly don’t want to give away too much of this band, because I want you to feel like you stepped into new territory and you fully don’t mind. All I will say is that the way it was made, the way it came out was mind blowing.

My least favorite would be Feast Of Hammers. As with a lot of my not-so-favorite songs on albums, it just felt kind of out of place. I haven’t been listening to BEB for a long time, but the feel I get from them, the way it played, it didn’t feel 110%.

This album as a whole was like stepping into a story. They placed a feeling in their lyrics and matched the mood with the music. It is, if you don’t listen to “that” kind of music, a very dirty, rough and dark path that you actually enjoy taking. It’s something that I can’t really put into words, and it’s something that you have to experience for yourself.

Without any doubt, this album is getting a 5/5. It’s different, unique and there’s a bunch of songs, if not full songs, a lot of bits of lyrics that are super personal to me. Something I’d give to my ex and say “fuck you” to. Double Nine being one of those songs. The other thing that I based my score off of, is that everything is heard equally. Nothing was muddied. You heard the bass. You hear the violins. You hear the piano. You hear the drums. And that’s really important, to be able to hear all the different parts to the band.

♦♦♦♦♦

The only artist that I can say that they are similar to off the top of my head is Emilie Autumn (if they did a tour together, near me, I think I’d sell my soul to see this. No joke!). Anchor was a song that really had a Fight Like A Girl (a song off that album) to it. But the vocals and the way that she sings with the music and… I can’t explain it, like I said before. You need to experience this stuff for yourself. So, without further ado… please check out these links. Follow, listen, like, support… everything, PLEASE!!!

Official: www.birdeatsbaby.co.uk

Facebook: www.facebook.com/birdeatsbaby

Twitter: www.twitter.com/birdeatsbaby

Bandcamp: www.birdeatsbaby.bandcamp.com

5 notes

eurofox:

From the new Birdeatsbaby album feast of hammers, the song What the water gave me. I wonder if Frida Kahlo inspired them like she did Florence’s song that has the same name.


Anyway, it’s really good.

Thank you! Yes, I was very much inspired by Frida she is my favourite artist x